Prom finally came for the students at McKinley High and our favorite glee club was, of course, in the spotlight.
Due to Air Supply backing out, New Directions is hired by Principal Figgins to be the entertainment of the night. Though they should be practicing for Nationals, this is a deal they can’t refuse because they’ll be paid $400.
As New Directions was being briefed by Mr. Schu, Mercedes walk s out because she doesn’t have a date. Rachel comes to the rescue and they propose to Sam that the three of them go together. They have planned it all already, and Sam agrees.
Blaine accepts Kurt’s offer to go to prom, but not before Blaine reveals that he was beaten up after going to a Sadie Hawkins dance with a guy. Lauren, Tina, Brittany, and Santana meanwhile find the perfect dresses for them, as Kurt becomes their critic.
Puck recruits Artie to spike the punch with gin to regain his street cred, but Artie is still preoccupied on how to ask Brittany to go to prom with him. After wonderfully, singing Stevie Wonder’s “Isn’t She Lovely,” Artie is rejected by Brittany because she can’t forgive him for calling her stupid.
Jesse St. James comes back by singing Adele’s “Rolling in the Deep” with Rachel, apologizing to her and surprising everyone that he flunked out of college because he thought he wouldn’t have to show up for any of his classes. He also proposes to Rachel that they go together to prom.
The prom starts with Puck, Sam, and Artie’s version of Rebecca Black’s “Friday” which pumped up the whole school. Rachel also sings Christina Perri’s “Jar of Hearts,” while eyeing Finn whole throughout the song. Finn and Jesse is kicked out from the gym after Finn sees Jesse getting cozier with Rachel, and starts to fight.
Crowning of Prom King and Queen was next and it turned out to be Karofsky and Kurt. Kurt is humiliated and exits the gym. Quinn and Santana are upset and Rachel and Brittany console them. But Quinn blames Rachel for her loss and slaps her. She apologizes and reveals her worry that high school will be her peak. Kurt recovers and returns onstage as he and Karofsky is given the floor for their dance. But the footballer still can’t come clean so Blaine dances with Kurt, as the whole school joins in.
Charice on Glee Updates
Hollywoodlife.com reporter, Russ Weakland thought he saw someone who looks like Charice in the Paramount lot on May 4 where he was interviewing somebody else. He described that Charice was wearing “big black shades” while sitting in the passenger seat of a tan Prius “barely clearing the dash.” Hollywoodlife.com then tweeted Charice about the sighting. She confirmed that it was indeed her, and she tweeted back “That was me. Lol. Just did some fitting.”
On other news, while Sunshine Corazon and Rachel Berry may be rivals on Glee, Charice and Lea Michele are great friends in real life! On May 9, the two were tweeting all morning about working on the Glee set.
Lea tweeted, “On set shooting now with one of my favorite ladies @OfficialCharice!!!!!”
Charice replied and tweeted, “@msleamichele: On set shooting now with one of my favorite ladies @OfficialCharice!!!!!” 
see ya tomorrow.”
They may have already finished filming the scenes at Nationals where it will finally be decided who the better singer is. The end is near for Season 2 so let’s all tune in!
Watch full Episode — Glee: Prom Queen
By Sofia Carrera, charicemania.com
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http://www.youtube.com/watch?v=sEwTe8LMCyI
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Vote CHARICE for the Billboard.com Fan Favorite Award!!!
When the Billboard Music Awards are handed out in Las Vegas on May 22, there’s one trophy that will stand apart all the others – and that’s because the decision of who gets it is entirely up to you.
The first-ever Billboard.com Fan Favorite Award will be presented to the musician who receives the most votes in our exclusive Billboard.com readers poll. There’ll be no chart statistics, airplay data or ticket sales influencing this decision. Your vote and your vote alone will decide the winner!
The poll will be open from Monday, May 9 through Friday, May 20. The winner will be announced on May 22, the day of the Billboard Music Awards.
Check out the list of selected nominees below. Don’t see your favorite as one of the choices? Submit their name in as a write-in candidate (We’ll count every vote equally). Every submission counts, so vote now and vote often. And be sure to tune in to on ABC on May 22 to watch Rihanna, Cee Lo Green, Nicki Minaj, Black Eyed Peas and more of your faves perform at the 2011 Billboard Music Awards, Live from the MGM Grand in Las Vegas.
NOTE: CHARICE IS NOT YET INCLUDED IN THE LIST BUT YOU CAN CHOOSE “OTHERS” OPTION AND FILL-UP THE TEXTBOX WITH “CHARICE”.
http://www.billboard.com/#/../../features/billboard-music-awards-fan-favorite-award-1005174942.story?page=2
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As an invited guest, I was one of 700 in the set audience that you’ll see in this final episode. The New Directions final song and dance number was also filmed by FOX and Glee crew. Security was extremely tight and all cell phones and cameras were not allowed inside, just great memories.
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http://www.youtube.com/watch?v=Q9hc6hhhXH8&feature=related
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Wow!!! This is ABSOLUTELY, SUPERBLY BEAUTIFUL !!! Looks like this song is gonna be a huge success, especially with the dance crowd. I’m happy for Charice and Nick Jonas; I congratulate both of them for their collaborative effort. I also congratulate the dancers for their choreography; someone should hire these people already! I watched this video many times; I’m mesmerized by the dance moves, and I never get tired watching! Thank you for bringing this in, mjd!
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Mr.Blinker is correct.
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The “Prom,” just like most of previous episodes needs to do some serious writing to make each episode and all characters compelling. GLEE gave CHARICE a good opening episode, a new character that was not exploited to its fullest to give Michelle a run for the money. The excessive use of daydreaming or getting to the realm of a teenager’s world surrealism was evident of the lack of capacity for its writers to be more realistic and truly relate with their teen demographics.
Season II has become the SPRING OF HOMOSEXUALITY. There is nothing wrong using GAY as a premise in an episode or two, but it seems that entire season- perhaps the writers are on a mission- has become a forum gay madness. What was acutely unfair was using Charice to build all the hype for her return. When she did, they made her an arrogant subtle bitch and dressed her like she has not changed at all- over the time that has lapsed. She sang “All By Myself,” which was evidently edited down whenever she hit the high notes. Thus, her rendition seemed to be the least powerful among Mercedes and Paltrow. Charice looked as if she were a DRAG QUEEN, as a critic described her in that scene.
I described her staging, too uncomfortable to watch after seeing her David Foster’s version in a DFF concert in Mandalay Bay.
Murphy even used the same clip (sound unedited) as an ad campaign on YOU TUBE the week before it was shown on TV. Charice belted all the high notes and really felt head over heels after watching it even if the Foster’s version was not used, which I strongly feel is the best arrangement. Nonetheless, Charice was stellar in her performance. Excited to watch the episode, my mom and I waited for her part. When she delivered those few nasty lines and the obvious alteration of the timber of her voice even blasting the TV’s volume up, my mother asked, “Why was the You Tube clip sounded powerful, and this one on TV seemed so…?” She meant did not put my mother on this nirvana state every time she watches CHARICE sings. “NO GOOSEBUMPS,” she declared.
After watching the entire episode, THE NIGHT OF NEGLECT proved to be MERCEDES TIME TO SHINE. Her climactic point was her on stage performance, proving that she would not want to be ignored and neglected anymore. That MERCEDES is as powerful a performer as MICHELLE. With proper staging, glittering outfit, manicured hair and makeup, lighting and camera angles- she shone. That was a catalyst for her future in GLEE. But make no mistake; listen carefully when there were two instances that she was pitchy. Amidst those minor vocal issues, she did not only redefine her character in Glee, AMBER RILEY (MERCEDES) has also captured the hearts of the entertainment industry ensuring a great future after this NIP-TUCK like GLEE unfolds to its closure. I am a fan of her, and she sings great. With HOLLY HOLIDAY (GWYNETH PALTROW), she sang well but not to turn tables and be rated with bemusement as an excellent singer. It was a strong acting interpretation but her singing could not be compared with any of the Glee singers. The fact that she emoted well was a strategy: the audience focused on her face, emotion she delivered and we connected- but listen to her rendition one more time, with your eyes close and listen to her going off-key in a number of points in the song. I may be hard sometimes to identify these flaws if you’re not quite familiar with the song and the basics of music.
Michelle did not sin. Her double face character went onto her good side, feeling bad about Mercedes and giving her stage to the NEGLECTED GLEEK. However, she maintained her evil angle upon seeing SUNSHINE (CHARICE) suspecting her of spying. This plot point was similar to last year’s, and Ryan Murphy should fire these guys for lack of creativity and capacity to use research as a tool for writing.
It was Mercedes time to shine. That was the goal but using SUNSHINE as a SACRIFICAL LAMB TO ACHIEVE IT. This episode was truly a NIGHT of NEGLECT for CHARICE, and I HOPE OPRAH, FOSTER AND her MANAGERS do something about Glee’s mishandling of CHARICE.
“She cannot just be FILLER IN GLEE POTHOLES.” Though ALL BY MYSELF managed to get to the bottom list of the billboard chart, had DAVID FOSTER produced this instead, and if I may add- how about producing DAVID FOSTER’S GREAT SONGS for CHARICE’S THIRD ALBUM?
I BET $1,000 that with dynamic marketing strategies; this album will be NUMERO UNO in all charts.
Charice’s two songs were released on the same day, Bruno Mars, “BEFORE IT EXPLODES,” and the ACUVUE COMMERCIAL for the NICK JONAS COLLABORATION of “ONE DAY.” BEFORE IT EXPLODES did not have the creativity and unique quality of prior MARS HITS. It was again was a poor decision from the CHARICE CAMP to place this as its first installment to CHARICE’S second album. This was sung by Alexandra Brooke last year. Yet, Brooke, for unknown reason, did not include this in her album. I understand why she didn’t because the song did not have the CRISP and UNIQUE INGEUINITY of Mars in his other compositions. Was this collaboration with Charice? I don’t think so. As soon as the press release about Charice’s agreeing to have MARS song as the first installment to her second album, Alexandra Burke’s version flooded on YOU TUBE even before CHARICE had her single released. There were a lot of comparisons and the time element that separated the releases of this song was just nearly a year- unlike NOTE TO GOD, JOJO’S version was years apart and Dianne Warren did not give her ownership of the song. In addition, David Foster and Dianne Warren made some changes to highlight Charice’s phenomenal voice. As with BEFORE IT EXPLODES, ALEXANDRA’S rendition was awesome. It’s hard to distinguish the difference between Alexandra’s and Charice’s versions since there were no significant modifications or none at all with the melody that could hype Charice’s strong vocals. The song per se lacks the IT FACTOR. Needless to say, that it got little successes as “PYRAMID” and ‘NOTE TO GOD” received when they were separately released. Firstly, BEFORE IT EXPLODES was not collaboration. She had not met Bruno even after she had already recorded the song. BEFORE IT EXPLODES does not have this magical rhythm as PYRAMID. Bruno’s composition was alright.
I just don’t understand why the CHARICE CAMP ignored many of the great but neglected songs in her FIRST ALBUM like IN THIS SONG, I LOVE YOU, IN LOVE SO DEEP, DID IT FOR YOU, CRESCENT MOON and my favorite NOBODY’S SINGING TO ME.
A genuinely great collaboration was the one CHARICE did with NICK JONAS, “ONE DAY.” These talented performers enjoyed the time they spent together, sharing a mutual passion and interest of delivering a song that both teenagers and adults can relate- no profanity or rage but simply proclaiming with extreme positive self-confidence that everyone will ONE DAY realize their dreams if they give their absolute commitment, dedication, heart, talent, and hard work day after day. This is what collaboration means. ONE DAY is ONE GREAT INSPIRATIONAL SONG. The same can be said with “WHEREVER YOU ARE,” by UNYQUE featuring CHARICE, which should be in Charice’s album, and ONE DAY should have been the first song in the album that she released.
I listened to a preview of her new two songs to be released on May 31, 2011, LOUDER and LOST THE BEST THING and felt excellent vibes about them. I am eagerly waiting to hear the entire two songs. I am very enthused confident that these songs would not be as disastrous as BEFORE IT EXPLODES. Bruno Mars can write something better than this song. The title is good, but there was nothing to hook you into its lyrics and melody. BEFORE IT EXPLODES never exploded, and the only good reviews I have so far came from the CHASTERS- who might find it difficult to say anything negative about Charice. If CHASTERS really want to help Charice- well, she’s already successful anyway- BE FORTHRIGHT. Charice reads not just the good things we say, but she reads and listens to positive criticisms. Learning is not always being perfect, it is acknowledging failures and using them in your future decision making. C’mon, don’t you agree that RYAN MURPHY made her look the least appetizing in the eyes in THE NIGHT OF NEGLECT and tweaked her voice down so as not to upstage Mercedes and Paltrow? But the You Tube clip is evidentiary tool for comparison. If you happen to have taped the TV episode, analyze the sound decibels of these two similar clips. Is this fair? I guess it supports the story, but it may be harmful to Charice.
CHARICE is evidently and undeniably has positioned her stature among the GREATEST SINGERS AND PERFORMERS of the most recent history, who took SINGING to a formidable level between the late 1990’s to the present. CHARICE will be an added member in the annals of music history of DIVINE DIVAS such as CELINE, WHITNEY, ALICIA KEYS, MADONNA (total packaging, choices of songs, superb dancer- though not the best in terms of vocals), MARIAH, LADY GAGA (EXTREMELY genius) and CHRISTINA (though not consistent, her voice is exceptional).
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it seems that some people really can’t APPRECIATE the big talent that she has.but im gonna hold on for Charice until i witness those people who rejects/rejected/will reject her;realize how good she is to be one of those who leads in the music(hopefully film) industry.
she deserve a good materials cause she has such a genuine talent.I’d like to see her on top not for something to brag,but for young dreamers to have someone where they can draw an inspiration and wisdom.
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I have very very good feelings with her 2 upcoming singles “Louder” and “Lost The Best Things” that they will become big hits (definitely much bigger than “Pyramid”) this time. Then when that happens Charice wouldn’t need any GLEE to boost her career anymore…
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Cha needs, and I’m sure expects, honest opinions and assessments from those around her to help motivate and push her to maximize her God given talents, but I don’t mind her taking chances and exploring and pushing beyond her comfort zone because that’s what the truly great and memorable people have done throughout history to achieve greatness, regardless of profession or endeavor.
She’s commented in several interviews I’ve seen with her, “It’s a lot of pressure” but I am hopeful she can handle it with the support of her team and faith and belief. I for one can’t imagine what the “pressure” might be like on someone who is regularly introduced as “the most talented girl in the world” or “international superstar.” I can only hope that she finds her way of managing these implied and expressed insane expectations.
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As for your idea of Charice’s management to release an album with DF covers, I am all for it.
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